AE Ward, 1894.
16-year-old Ella has been booked to sing, for pay, at a drawing room concert She wants to do it in order to earn money for her ill sister’s treatment.
There’s a good bit about clothes, reminiscent of Polly and Fanny in An Old-Fashioned Girl:
perhaps I can borrow [a dress]; or if not, I must make my old white muslin do, though it has been washed so many times that it is getting rather thin in places. I can shorten the sleeves and put a bit of fresh lace into them, and you will see how nice it will look.
Fortunately a friend secretly gives / lends her “a beautiful new dress of white muslin, and the sweetest little cashmere mantle”. I like her brother’s phrase, “all that grand toggery”.
A mean girl, Carrie Mason, is not happy about Ella singing for money, and tries to interfere, but Ella is a success and earns two guineas. A chap in the audience then randomly (given her age and inexperience) employs her as governess to his grandchildren, spoilt Geoffry and “meek-spirited”, emotionally neglected Helen. Although at this point Ella is clearly a good girl, thoughtful and kind to her family, her mother thinks she is too self-confident about being a governess, but she, the mother, can’t do anything about this as she herself has not found God so can’t “bid [Ella] distrust herself and look to a higher strength than her own”. So on the one hand Ella’s prospects are looking good, but on the other hand she’s onviously going to be humbled before her relationship with God can be solved.
Fortunately, the rector tells her that she has to give herself to God, and she does so. Rather anti-climatic, but we’re only half-way through the book at this point, and Geoffry is still a right pain. One of the servants has been telling him he is the heir to the estate and shouldn’t have to obey anyone. Fortunately an orphan comes to live with one of the village families, and is a suitable charitable case on which Geoffers can learn unselfishness. Also Geoffry sprains his ancle and twists his back (which explains the scene on the cover) and has to stay in bed for weeks. He learns the value of his sister too. So all’s well with the world, including for Ella’s mother and ill sister, who move to a better house because of the kindness of her employer. The latter remains a bit of a randomer and cannot see that there has ever been anything wrong with Geoffry’s behaviour. All a bit by the numbers generally, I was disappointed that Carrie Mason didn’t reappear. One pleasing thing though – no love interest for Ella.
The book is nicely produced, with the standard random pictures at the start of chapters, as you can see from the first image here.
Ella looks more than 16 in this picture:
I think I have read AE Ward’s other book, Arthur’s Victory.